I
graduated in 1988 with a BA(hons) Graphic Design. Worked as
a self employed graphic designer for a number of years as well
as continuing my passion for painting in oils. My interest and
experimentation in metal work grew with the emphasis in contemporary
jewellery. Began producing my own collections for 2-3 years.
Felt the need to step back from my work to get a better
overall perspective and so embarked on the M.A. Jewellery Silversmithing
and Related Products at the School of Jewellery in Birmingham.
I completed the course in Jan. 2000. The course enabled me to
develop my work in a new direction and I now run a successful
workshop/studio in Birmingham's Jewellery Quarter.
Industry
Relationships
I have a number of my pieces cast by local companies and
so it is useful to build up a good working relationship. Most
of my metal is purchased from Germany via an agent in Birmingham
and so again local contacts are important.
Inspiration
The
fragile appearance of the wire suggests vulnerability. In isolation
it is quite weak but when manipulated into a mesh gains strength.
The contrast between the look of fragility and the actual resilience
plays with perception when embodied in one piece of work. To
contain the mesh within a frame can add to the visual tension
whilst also providing security. Each mesh is a painting; they
are miniature abstracts. I use the differing densities of wire
to create
shapes and surface changes in much the same way, as I would
use paint. To evoke a sensation or feeling within the piece
that has some resonance with the viewer and not to overtly convey
a message is what I would like to achieve. It is much more a
tacit communication. I don't want to prejudge a reaction; I
feel that the viewer and wearer receive from the piece what
they bring.
Clients
Various
Tips
for Newcomers
Build
up as many contacts as you can. Even if they don't seem relevant
now it is surprising how pertinent they can become.
Outlets
Many galleries in uk, Europe
and America. Email for details.